drawing can say; all, perhaps, that even the deeper reach of thought and pen can say in their language, either. The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Sympathies that lie too deep for words, too deep almost for thoughts, are touched, at such times, by other charms than those which the senses feel and which the resources of expression can realise. The mystery which
as usual. Accept my apologies for our apparent want of attention; and allow me to introduce myself as one of your pupils. Shall we shake hands? I suppose we must come to it sooner or later—and why not sooner?”
These odd words of welcome were spoken in a clear, ringing, pleasant voice. The offered