Halcombe took it from him and looked at the address.
“A strange handwriting,” she said to herself. “Who can Laura’s correspondent be? Where did you get this?” she continued, addressing the gardener.
“Well, miss,” said the lad, “I just got it from a woman.”
“What woman?”
“A woman well stricken in age.”
“Oh, an old woman. Any one you knew?”
“I canna’ tak’ it on mysel’ to say that she was other than a stranger to me.”
“Which way did she go?”
“That gate,” said the under-gardener, turning
noise. Surely our delightful Raffaello’s conception is infinitely preferable?”
He pointed to the picture of the Madonna, the upper part of which represented the conventional cherubs of Italian Art, celestially provided with sitting accommodation for their chins, on balloons of buff-coloured cloud.
“Quite